- 微笑み／2024
Koiichiro Tada
多田恋一朗
- ART FAIR - CROSSOVER
Painter. Born in 1992. Gunma Born in Ota City. Graduated from the Department of Painting, Graduate School of Fine Arts, Tokyo University of the Arts (Laboratory of Techniques and Materials). Based on the actual experience of parting with [others] with whom he had a trusting relationship, such as heartbreak, isolation, and bereavement, he calls the image of the other person (like a chimera that does not represent a specific individual, but is a complex intertwining of past experiences) that continues to change fluidly in his own mind even after that, and uses various materials and methods of expression to explore the nature of the motif with its amorphous yet strong feeling. In addition to his individual creative activities, he regularly holds self-organized exhibitions and art festivals under the theme of "the antithesis of the modern age that seeks precocious expression" and invites players of his generation (not only artists but also curators and critics). Major solo exhibitions include "Colorful Carcasses" (2023, TAKU SOMETANI G ALL ERY, Tokyo), "Until You Turn into You" (2024, galleryblue3143, Tokyo), and "Living Garden" (2019, Kyoto Prefectural Botanical Garden, Kyoto) and "Standing Ovation" (2021, Hotel New Akao, Shizuoka) Walking Minutes" (2023, GASBON_METABOLISM, Yamanashi), major self-organized exhibitions include "Painting and Movement 'Rough Dimension'" (2018, Yotsuya Unconfirmed Studio, Tokyo), "Would you like to take a short detour?" (2023, Nezu Curry Lucky, Tokyo), and "Stranger ni Yoroku" (2021, Kanazawa City, Ishikawa Prefecture), and "Uraraka Painting Festival" (2023, Tokyo various places in the Taito Ward area).
Born in 1992, Koiichiro Tada is a pain ter from Ota City, Gunma Prefecture. Tada graduated from the Tokyo University of the Arts Graduate School of Fine Arts, Department of Painting (Technique and Materials Laboratory). Based on his own experiences of separation from [others] with whom he had a trusting relationship – such as heartbreak, estrangement, and death – he gives the name “you” to the image of the other person (a chimera-like thing that does not represent a specific individual, but is a complex intertwining of past experiences) that continues to change fluidly with in himself from the moment of separation. He creates his works using a variety of materials and methods, searching out this formless yet deeply real motif. In addition to his personal creative activities, he also regularly organizes exhibitions and art festivals inviting significant figures of his generation (including curators and critics) to participate in his own projects that explore the theme of “Antithesis to the modern world’s demand for precocious expression.”
Major solo exhibitions include “Colorful Carrion” (2023, TAKU SOMETANI G ALL ERY, Tokyo) and “Anata ga kimi ni kawaru made” (2024, galleryblue3143, Tokyo). He has been involved in major group exhibitions including, “Le Jardin Convivial” (2019, Kyoto Prefectural Botanical Garden s, Kyoto), “Standing Ovation / Where the Limbs Lead” (2021, Hotel New Akao, Shizuoka), and “Yuho suru bunjin” (2023, GASBON_METABOLISM, Yamanashi). Tada has also self-organized exhibitions including “Painting/Movement ‘Rough Dimension'” (2018, Yotsuya Unconfirmed Studio, Tokyo), and “Would You Like to Take a Little Detour?” (2023, Nezu Curry Lucky, Tokyo). His self-organized art festivals include “Say Hello to the Stranger” (2021, various locations in Kanazawa City, Ishikawa Prefecture) and “Uraraka Painting Festival” (2023, various locations in the Taito Ward area of Tokyo).
Born in 1992, Koiichiro Tada is a pain ter from Ota City, Gunma Prefecture. Tada graduated from the Tokyo University of the Arts Graduate School of Fine Arts, Department of Painting (Technique and Materials Laboratory). Based on his own experiences of separation from [others] with whom he had a trusting relationship – such as heartbreak, estrangement, and death – he gives the name “you” to the image of the other person (a chimera-like thing that does not represent a specific individual, but is a complex intertwining of past experiences) that continues to change fluidly with in himself from the moment of separation. He creates his works using a variety of materials and methods, searching out this formless yet deeply real motif. In addition to his personal creative activities, he also regularly organizes exhibitions and art festivals inviting significant figures of his generation (including curators and critics) to participate in his own projects that explore the theme of “Antithesis to the modern world’s demand for precocious expression.”
Major solo exhibitions include “Colorful Carrion” (2023, TAKU SOMETANI G ALL ERY, Tokyo) and “Anata ga kimi ni kawaru made” (2024, galleryblue3143, Tokyo). He has been involved in major group exhibitions including, “Le Jardin Convivial” (2019, Kyoto Prefectural Botanical Garden s, Kyoto), “Standing Ovation / Where the Limbs Lead” (2021, Hotel New Akao, Shizuoka), and “Yuho suru bunjin” (2023, GASBON_METABOLISM, Yamanashi). Tada has also self-organized exhibitions including “Painting/Movement ‘Rough Dimension'” (2018, Yotsuya Unconfirmed Studio, Tokyo), and “Would You Like to Take a Little Detour?” (2023, Nezu Curry Lucky, Tokyo). His self-organized art festivals include “Say Hello to the Stranger” (2021, various locations in Kanazawa City, Ishikawa Prefecture) and “Uraraka Painting Festival” (2023, various locations in the Taito Ward area of Tokyo).
