• Flower and vase #8/2025年
Kanji Hasegawa

長谷川寛示

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1990年生まれ、三重県在住。2014年に東京藝術大学美術学部彫刻科卒業、2016年に同大学大学院美術研究科彫刻専攻修了。
同年、曹洞宗の大本山永平寺での修行を経て僧侶となる。2024年に還俗し、彫刻表現を通じて時間や歴史、文化の変容を探求する。儚さと普遍性を融合させた作品は、移ろう価値観や存在そのものの意味を問いかける。
主な個展に「decay, remains」(2023、KANA KAWANISHI GALLERY、東京) など。 グループ展に「Têmporas/テンプラ KUROOBIANACONDA #4」(2022年、 Sokyo Lisbon Gallery、ポルトガル)、「跳躍するつくり手たち:人と自然の未来を見つめ るアート、デザイ ン、テクノロジー」(2023、京都市京セラ美術館、京都)、「平衡世界 日本のアート、 戦後から今日まで」(2023、大倉集古館、東京)など。

プロフィール画像:撮影 Ryuhei Yokoyama

Born in 1990, currently resides in Mie Prefecture, Japan. He received a B.F.A. at Tokyo University of the Arts, Faculty of Fine Arts, Department of Sculpture in 2014, and an M.F.A. at Tokyo
University of the Arts, the Graduate School of Fine Arts, Department of Sculpture in 2016. In the same year, after ascetic training at Daihonzan Eiheiji, the principal temple of the Soto Zen school,he became a monk. This unique intersection of artistic education and monastic discipline deeply informs his creative practice.
In 2024, he returned to secular life and continues to explore the transformation of time, history, and culture through his sculptural expression. His works, which fuse fragility and universality, question shifting values and the very meaning of existence.
Major solo exhibitions include decay, remains (2023, Kana Kawanishi Gallery, Tokyo). Group exhibitions include Têmporas KUROOBIANACONDA #4 (2022, Sokyo Lisbon Gallery, Lisbon),
Visionaries: Making Another Perspective(2023, Kyoto City KYOCERA Museum of Art), and
WORLDS IN BALANCE: ART IN JAPAN FROM THE POSTWAR TO THE PRESENT (2023, Okura Museum of Art, Tokyo).

Profile credit:Photo by Ryuhei Yokoyama

長谷川寛示_CV(JP)
Kanji Hasegawa_CV(EN)