プロデュース、ディレクション、キュレーション、出版、マネジメントといった多角的な実践を通じ、社会と芸術の新たな接点を構想・実装している。
主なプロジェクトに、ジョージア、トルコ、ギリシャ、アルメニアを巡った「風の目たち」(2022-2024)とその出版(2025)、BankART Stationでの「都市GENEの抽出・反転・流通」(2024)、展覧会フランチャイズ権を契約する出版物『MALOU』(2022)がある。
また、2026年では「ARTE TOKYO」プログラムディレクター。「ART SITE神津島2024」共同ディレクターや「ATAMI ART RESIDENCE」プログラムディレクター(2023-24年度)を歴任。CCBT 2022年度アーティストフェロー、令和6年度文化庁メディア芸術クリエイター育成支援事業採択。2026年「WAN: Art & Tech Creators Global Network」を通じて渡米。
アーティスト画像:撮影 米澤柊
作品画像:撮影:GYOSHA
Yamar is a multidisciplinary practitioner who envisions and implements new intersections between society and art through production, direction, curation, publishing, and management.
Their major projects include "The Eyes of the Wind" (2022–2024)—an extensive research initiative spanning Georgia, Turkey, Greece, and Armenia—and its subsequent publication in 2025. Other notable works include "Extraction, Inversion, and Circulation of Urban GENE" (2024) at BankART Station in Yokohama, and "MALOU" (2022), a publication that explores the innovative contractual management of exhibition franchise rights.
Currently, in 2026, Yamar serves as the Program Director for "ARTE TOKYO." Their leadership experience further includes roles as Co-Director of "ART SITE Kozushima 2024" and Program Director for the "ATAMI ART RESIDENCE" (FY2023–2024).
The significance of their work has been recognized through several prestigious appointments, including the CCBT Artist Fellowship (FY2022) and selection for the Agency for Cultural Affairs' Media Arts Creator Support Program (FY2024). In 2026, Yamar is relocating to the United States to participate in the "WAN: Art & Tech Creators Global Network," a strategic program designed to foster transnational collaboration among global art and technology creators.
Profile credit:Portrait by Shu Yonezawa
Artwork credit:Photo by GYOSHA
