- Unnamed（Photo by Keizo Kioku）／2024년
Shinnosuke Tojo
東城信之介
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1978년 나가노현 출생, 2004년 도쿄 조형 대학 조형 학부 미술 학과 비교 조형 졸업, 2005년 동 대학 연구생 수료. 자신의 심상 풍경이나 무의식으로 보이는 허상을 금속판이나 공업제품의 표면에 크고 작은 상처나 녹 등을 베풀어 구현화하고 있다. SHINaNOBOYa는 어린 시절의 상상 친구로 자신의 기억 속에서 처음으로 만든 것을 조형물이며 2018에 친가에서 발굴되었다. 그 이후 빠뜨릴 수 없는 모티브
의 하나가 되어 소재의 제한이 없어지는 계기가 되었다. 최근에는 2개의 그림을 화면상에서 리플렉트시켜 갇을 수 있는 내향적인 표현의 작품도 발표하고 있다. 존재라는 것에 포커스한 제작 스타일은 회화에 그치지 않고 조각이나 설치 작품 등 다방면으로 전개하고 있다.
Born in Nagano, Japan in 1978, Shinnosuke Tojo graduated from Tokyo Zokei University in 2004 with a bachelor's degree in Comparative Art, Department of Fine Arts, and completed a research course at the same university in 2005. His work invols and unconsciously perceived virtual images by applying large and small scratches and rust to the surfaces of metal plates and industrial products.
“SHINaNOBOYa” is the name of his imaginary friend from childhood and the first sculpture he ever made from memory. The work was unearthed at his parents' house in 2018, and since then it has become one of his essped to remove material restrictions. In recent years, he has also been showing works that reveal an introverted expression captured by two pain tings reflected on a screen. His production style, which focuses on the theme of existence, is not limited to pain ting, but also includes sculpture and installation works.
토죠 신노스케_CV
의 하나가 되어 소재의 제한이 없어지는 계기가 되었다. 최근에는 2개의 그림을 화면상에서 리플렉트시켜 갇을 수 있는 내향적인 표현의 작품도 발표하고 있다. 존재라는 것에 포커스한 제작 스타일은 회화에 그치지 않고 조각이나 설치 작품 등 다방면으로 전개하고 있다.
Born in Nagano, Japan in 1978, Shinnosuke Tojo graduated from Tokyo Zokei University in 2004 with a bachelor's degree in Comparative Art, Department of Fine Arts, and completed a research course at the same university in 2005. His work invols and unconsciously perceived virtual images by applying large and small scratches and rust to the surfaces of metal plates and industrial products.
“SHINaNOBOYa” is the name of his imaginary friend from childhood and the first sculpture he ever made from memory. The work was unearthed at his parents' house in 2018, and since then it has become one of his essped to remove material restrictions. In recent years, he has also been showing works that reveal an introverted expression captured by two pain tings reflected on a screen. His production style, which focuses on the theme of existence, is not limited to pain ting, but also includes sculpture and installation works.
토죠 신노스케_CV
