- 画家の肖像(ペア) （Copyright the artist, Courtesy of ShugoArts, Photo by Shigeo Muto）／2021년
Masato Kobayashi
小林 正人
- ART FAIR - PICK UP ARTIST
고바야시 마사토는 1957년 도쿄 출생. 1980년대 중반부터 회화의 본연의 자세를 독자적으로 탐구한다. "흰색 캔버스를 나무 테두리에 붙이고 나서 그리기 시작하는 것은 느리다"로서, 페인트를 튜브에서 직접 손에 잡고, 캔버스의 패브릭을 한 손으로 지지하면서 문지르게 하여 색을 싣고 동시에 나무 테두리에 붙이면서 그림을 서 올려 간다는 수법을 확립. 이미지와 공간을 동시에 탄생시키고 그림의 영혼과 육체를 하나로 맞추는 방법론에 의해 만들어지는 작품은 공간 속에서 강한 존재감을 발휘하는 것에 다가온다.
Born in Tokyo (1957), Masato Kobayashi has explored his own definition of pain ting since the mid 1980s. Having pain that “it is too late to pain t after stretching canvas over a wooden frame,” Kobayashi established his stretching canvas and pain ting simultaneously. During his artmaking process, he puts pain t on his hand directly from pain t tubes and applies colors by rubbing them on the canvas which he holds in place with the other hand. The artist creates image and space the same time, and his methodology, which seems to integrate the soul of pain ting and body together, allows his artwork to stand out in the exhibition space and leave a strong impression on the viewers.
고바야시 마사토_CV
Masato_Kobayashi_CV
Portrait: Courtesy of ShugoArts, Photo by Shizuka Kobayashi
Born in Tokyo (1957), Masato Kobayashi has explored his own definition of pain ting since the mid 1980s. Having pain that “it is too late to pain t after stretching canvas over a wooden frame,” Kobayashi established his stretching canvas and pain ting simultaneously. During his artmaking process, he puts pain t on his hand directly from pain t tubes and applies colors by rubbing them on the canvas which he holds in place with the other hand. The artist creates image and space the same time, and his methodology, which seems to integrate the soul of pain ting and body together, allows his artwork to stand out in the exhibition space and leave a strong impression on the viewers.
고바야시 마사토_CV
Masato_Kobayashi_CV
Portrait: Courtesy of ShugoArts, Photo by Shizuka Kobayashi
