Meet your
ART FESTIVAL
Annex

2026.12.4 Fri 12.27 Sun 11:00 22:00

Yoyogi Park Panorama Plaza

STATEMENT

ART in the PARK — Discover the signs of a new sensibility in Yoyogi Park.
Yoyogi Park is a public space where diverse people come and go, and where their activities and expressions intersect, fostering a variety of urban cultures and communities.
This project will focus on the unique characteristics of Yoyogi Park.
I walk through the park. I pass people. And there, I find art.
An unexpected encounter with a work of art can spark new relationships between people and expression, and between people themselves, awakening their individual sensibilities. These small changes, in turn, can lead to a new culture.
"MEET YOUR ART FESTIVAL Annex" does not present a completed culture, but rather the process itself—how new cultural "signs" emerge through the intersection of different expressions and people in a public space.
This project features works by three artists: images of people transforming into clusters of light, structures that respond to visitors and the environment, and murals that change their appearance with the passage of day and night. Each work transforms in its relationship with people and the environment in a different way, creating a new landscape in Yoyogi Park.
Artwork and people, people and people, and artwork and the environment. Through unexpected relationships that arise in the open space of Yoyogi Park, we open up new perspectives and sensibilities to the everyday life of the city.

Stars (2026)

Isomura Dan

This work is a video piece that stretches time to show various people playing and dancing with handheld fireworks in the darkness. The different movements, expressions, speeds, clothing, and complex scattering of sparks of the subjects reveal the individuality of each person. However, at times, people are replaced by different people in the darkness, and at other times, multiple people overlap through multiple exposures. The individual images gradually transform into repeating images, and eventually diffuse into a galaxy-like pattern.

Even seemingly complex movements and shapes can be perceived as simple patterns by changing our perspective and scale. Simple patterns are beautiful (just as synchronized dancing is beautiful), but beauty can also be found in individuality (just as there are dances that only certain people can perform). The further away we take or the wider our perspective becomes in order to see the beauty of the pattern, the less we can see the individual. Yet, we can still imagine and feel the beauty of the individual elements that make up that pattern.
Eyes, habits, worn-in high heels—this film captures a multitude of lights that reach us from near and far, illuminating various things.

In Between... Us? (2026)

Shota Yamauchi

"In Between... Us?" is a performance installation that explores the meaning of "the unknown."

At the heart of the work is a white structure reminiscent of tree roots, nerves, or a skull. Its form is inspired by the concept of a rhizome. This rhizome structure changes its state as it senses the surrounding sounds, voices, and environmental changes. It takes in the voices, lights, and various events that occur in that place, and changes its appearance moment by moment as if finding new meaning in them. Its behavior becomes detached from the artist's intentions and gradually moves beyond his control.

In performance, "voice" plays a crucial role. Vocalizations that precede words, and the emotions contained within them, influence the rhizome and the environment, updating their state. As voices overlap, separate, and resonate, new relationships that didn't exist before may be born. It's as if we ourselves are witnessing the emergence of communication that has yet to have a name or form.

To what is that voice directed? Is the change in the rhizome a response? It's even uncertain whether what's happening there can be called a "dialogue." In a space where performers, rhizomes, voices, light, sound, and viewers influence and transform each other, "In Between... Us?" brings to light the existence of the "unknown" that slips through the cracks of understanding and classification.

Co-sponsored by: Civic Creative Base Tokyo [CCBT]
(Tokyo Metropolitan Foundation for History and Culture, Arts Council Tokyo)

In Between... Us? (2026)

Shota Yamauchi

"In Between... Us?" is a performance installation that explores the meaning of "the unknown."

At the heart of the work is a white structure reminiscent of tree roots, nerves, or a skull. Its form is inspired by the concept of a rhizome. This rhizome structure changes its state as it senses the surrounding sounds, voices, and environmental changes. It takes in the voices, lights, and various events that occur in that place, and changes its appearance moment by moment as if finding new meaning in them. Its behavior becomes detached from the artist's intentions and gradually moves beyond his control.

In performance, "voice" plays a crucial role. Vocalizations that precede words, and the emotions contained within them, influence the rhizome and the environment, updating their state. As voices overlap, separate, and resonate, new relationships that didn't exist before may be born. It's as if we ourselves are witnessing the emergence of communication that has yet to have a name or form.

To what is that voice directed? Is the change in the rhizome a response? It's even uncertain whether what's happening there can be called a "dialogue." In a space where performers, rhizomes, voices, light, sound, and viewers influence and transform each other, "In Between... Us?" brings to light the existence of the "unknown" that slips through the cracks of understanding and classification.

Co-sponsored by: Civic Creative Base Tokyo [CCBT]
(Tokyo Metropolitan Foundation for History and Culture, Arts Council Tokyo)

Anonymous Limbs (2022)

Shu Yonezawa

"OPEN SITE 7" (Tokyo Arts and Space Hongo, 2022)

Photography: Kenji Takahashi

Image courtesy of Tokyo Arts and Space

ARTISTS

Isomura Dan

Dan Isomura

Artist. Working across painting, sculpture, video, sound installation, and project-based practices, she develops works that intersect different timescales, life activities, and forms of language/information. Interested in human existence that deviates from anthropocentric time consciousness and values, and biopolitics, she superimposes multiple layers—everyday rhythms, alternative evolution, and transformations of bodily functions—through a queer-time sensibility of repetition, shift, and stagnation. Furthermore, using science fiction imagination, references to social norms, and humor, she moves and transforms diverse media, questioning the very conditions under which meaning is formed.

Educational background
Graduated from the Department of Painting, Faculty of Fine Arts, Tokyo University of the Arts (2016)
Major solo exhibitions
"Parallel Information (Informāre Pariter) – In Plastic, In Clouds," TAV Gallery, Tokyo (2025)
"Dinosaurs did not evolve into humans." SIGN AL, Tokyo (2024)
"Ka" EUKA RYO TE, Tokyo (2023)
"OFF THE SIDELINE" EUKA RYO TE, Tokyo (2020)
"Ngantanpa," Ginza Tsutaya Bookstore GINZA ATRIUM, Tokyo (2020)
Major group exhibitions
"The Hints 2025: 10 Perspectives on the Present and Future," Sumitomo Mitsui Banking Corporation East Building Rising Square, Tokyo (2025)
"The Future of Memories," nichido contemporary art, Tokyo (2024)
"Yamanashi International Art Festival Yatsugatake Art Ecology 2023" Keith Haring Museum, Kiyoharu Art Village, Yamanashi (2023)
"Phantasmapolis – 2021 Asian Art Biennale," National Taiwan Museum of Fine Arts, Taiwan (2021)
"The City is Nature," Sezon Museum of Contemporary Art, Nagano (2020)
Major grants and residencies
"SAC Residency Programme," Bangkok, Thailand (2026)
"Asian Cultural Council New York Fellowship," New York, United States (2019-2020)
“Kuandu Museum of Fine Arts, ARCUS Exchange Residency Program” Taipei, Taiwan (2017-2018)
"London/Tokyo Y-AIR Exchange Programme," London, Great Britain and Northern Ireland (2017)
Ishibashi Foundation International Exchange Oil Painting Scholarship Recipient, Silpakorn University, Thailand (2014)

Profile picture: Photo by Fumika Endo

Shota Yamauchi

Shota Yamauchi

Shota Yamauchi was born in Gifu Prefecture in 1992 and is based in Kanagawa Prefecture. He graduated from the Sculpture Department of Kanazawa College of Art in 2014 and completed his studies in Media Arts at the Graduate School of Film and New Media, Tokyo University of the Arts in 2016. He creates installations that combine video and sculpture, while also working across various media such as performance and scent. He explores the relationship between accidents and the world, and the boundaries between reality and mystery.

"In Between...Us?" was created as part of the artist fellowship activities for the Civic Creative Base Tokyo [CCBT]'s 2025 Art Incubation Program.

Civic Creative Base Tokyo [CCBT] is a hub for activities that unleash people's creativity into society through art and digital technology.
One of CCBT's core programs, "Art Incubation," aims to create expressions, explorations, and actions that will transform cities for the better by providing creators with new opportunities for creative activity and opening up the process to the public (civics). Each year, five groups of creators are selected through an open call and selection process as "CCBT Artist Fellows," who act as partners of CCBT by concretizing and presenting their projects, making their creative processes public, and conducting workshops.

Educational background
Completed graduate studies in Media and Image Arts at Tokyo University of the Arts (2016).
Major solo exhibitions
"Crystal World," Kyoto City Kyocera Museum of Art (2024)
"MAM Project 030 x MAM Digital: Shota Yamauchi: Planet of Faces," Mori Art Museum (2022)
Major group exhibitions
"An Unknown Being," Tomio Koyama Gallery Roppongi (2026)
"Ghost: When the Unseen Becomes Visible" Arts Maebashi (2025)
“WE ARE ME — We Never Just Pass By” Keelung Museum of Art, Taiwan (2025)
"Art Macao: Macao International Art Biennale," Macao Museum of Fine Arts, Macao (2025)
"Ars Electronica Festival 2022," Johannes Kepler University, Austria (2022)
"TERRADA ART AWARD 2021 Finalists Exhibition," Terada Warehouse G3-6F (2022)
"Roppongi Crossing 2019: Connecting Things," Mori Art Museum (2019)
Main stage works
"Scent Monument: Forgotten Eros," Yamaguchi Center for Arts and Media [YCAM] (2024)

Profile picture: Photographed by Seiichi Saito
Image of the artwork (full view): Photography by Ryota Haraguchi, Direction by Sho Kikuchi (Nippachi Seisakusho), Courtesy of Civic Creative Base Tokyo [CCBT]
Image of the artwork (partial): Photographed by Koichi Nishiyama

Shu Yonezawa

Shu Yonezawa

An artist. Defining animation as shaping beings that are present or absent, she creates works that explore the physicality of characters in current digital animation, the mental physicality and emotions of living beings in real space, and the atmosphere of the space in which these animations live.

Main works / Solo exhibitions
"Happy Birth" PARCO Museum Tokyo (2023)
"Swimming Eyes" SNOW Contemporary (2025)
"Nameless Limbs" (Tokyo arts and space Hongo [OPEN SITE7] (2022))
"Anima of Extinction" - Former site of Kodaka Bookbinding Industry [Planet Zamza] (2022)
"Theatrical Version: Obake no B'" NTT InterCommunication Center (2022), etc.
Major exhibitions
"Display," Calm & Punk Gallery (2021)
Two-person exhibition with Ushio Tori, "AB," Shinjuku Ganka Gallery (2020), etc.

In addition, their main collaborative works include the music video "Terror Star" by Hakushi Hasegawa (direction, animation), artwork production for K AIR UI's single "The Name of the Sea," and other music-related activities such as VJing.

ACCESS

Yoyogi Park Panorama Plaza
2-1 Yoyogi Kamizono-cho, Shibuya-ku, Tokyo 151-0052

Get off at Harajuku Station on the JR Yamanote Line, 3-minute walk.

Get off at Yoyogi-Koen Station (C02) on the Tokyo Metro Chiyoda Line, then a 3-minute walk.

Get off at Meiji-jingumae (Harajuku) station (C03, F15) on the Tokyo Metro Chiyoda Line or Fukutoshin Line, then a 3-minute walk.

Get off at Yoyogi-Hachiman Station on the Odakyu Line, 6-minute walk.

Please use public transportation.

ORGAN IZ ER

Organizers: MEET YOUR ART FESTIVAL Executive Committee, Tokyo Metropolitan Government

Co-sponsored (in part): Civic Creative Base Tokyo [CCBT]
(Tokyo Metropolitan Foundation for History and Culture, Arts Council Tokyo)

COOPERATION

ARTE TOKYO