- DECODE 27 #dialog／2023
HITOTZUKI
HITOTZUKI
- ART FAIR - CROSSOVER
The unit HITOTZUKI, formed in 1999 by artists KAMI and SASU, is positioned as a central artist in the early days of street art in Japan. As the artist's name, HITOTZUKI (Day and Moon), indicates, the foundation of his work is yin and yang Sei to ShiWhile encompassing seemingly contradictory things such as good and evil, men and women, there is a passion generated by their intricately intertwined and intermingling, and the artist's will to create a new landscape. While their works have a colorful and pop worldview, they continue to deal with philosophical and universal themes, and they are unique in the sense that they have incorporated these points into the street art world, which has been centered on images. HITOTZUKI, who has led the street art scene for many years, has exhibited at museums such as "X-COLOR / Graffiti in Japan" (2005 / Art Tower Mito Contemporary Art Center) and "Roppongi Crossing: Is Art Possible?" (2011 / Mori Art Museum), created murals realized through crowdfunding by citizens, and created murals realized through crowdfunding by citizens, GINZA MAISON From window displays at HERMÈS to murals in the Louis Vuitton Ogura Tsutsuya store, he is expanding his activities in various fields.
Formed in 1999 by artists KAMI and SASU, the unit HITOTZUKI is positioned as a central artist in the early days of street art in Japan. As the artist's name HITOTZUKI (sun and moon) suggests, their works are rooted in the artists' will to create new landscapes and the heat generated by the complex interplay and intersection of seemingly opposing things such as yin and yang, life and death, good and evil, and men and women. While their works have a colorful and pop appearance, they continue to deal with philosophical and universal themes, and are unique in the sense that they have introduced these aspects into the street art world. HITOTZUKI has been a longtime leader of the street art scene and has been featured in exhibitions such as "X-COLOR / Graffiti in Japan" (2005, Contemporary Art Center, Art Tower Mito) and & quot; Roppongi Crossing: Is Art Possible? (2011 / Mori Art Museum), a mural painting realized through crowdfunding by citizens, a window display at GINZA MAISON HERMÈS, and a mural inside the Louis Vuitton Kokura Izutsuya store, among others.
HITOTZUKI_CV
Formed in 1999 by artists KAMI and SASU, the unit HITOTZUKI is positioned as a central artist in the early days of street art in Japan. As the artist's name HITOTZUKI (sun and moon) suggests, their works are rooted in the artists' will to create new landscapes and the heat generated by the complex interplay and intersection of seemingly opposing things such as yin and yang, life and death, good and evil, and men and women. While their works have a colorful and pop appearance, they continue to deal with philosophical and universal themes, and are unique in the sense that they have introduced these aspects into the street art world. HITOTZUKI has been a longtime leader of the street art scene and has been featured in exhibitions such as "X-COLOR / Graffiti in Japan" (2005, Contemporary Art Center, Art Tower Mito) and & quot; Roppongi Crossing: Is Art Possible? (2011 / Mori Art Museum), a mural painting realized through crowdfunding by citizens, a window display at GINZA MAISON HERMÈS, and a mural inside the Louis Vuitton Kokura Izutsuya store, among others.
HITOTZUKI_CV
